Art Is a Lie but a Lie That Tells the Truth

Pablo Picasso? Jean Cocteau? Dorothy Allison? Henry A. Murray? Peter De Vries? Albert Camus? Julie Burchill? Apocryphal?

Love Quote Investigator: Fine art works such as novels, paintings, and sculptures embody a stylized and distorted representation of the world. Withal, deep truths can best be expressed by diffusive from the straitjacket of verisimilitude. Here are iv versions of a paradoxical aphorism:

  1. Art is the lie that enables us to realize the truth.
  2. Fine art is a prevarication which allows us to approach truth
  3. Art is a lie that makes us realize truth
  4. Art is the lie that reveals truth.

Different versions of this saying take been applied to fiction, poetry, and drama. The maxim has been attributed to the Spanish painter and sculptor Pablo Picasso, the French poet Jean Cocteau, and the French existentialist Albert Camus. Would you please explore this argument?

Quote Investigator: In 1923 the New York City periodical "The Arts: An Illustrated Monthly Mag Covering All Phases of Ancient and Mod Fine art" interviewed Pablo Picasso. His responses in Castilian were translated into English. Boldface added to excerpts past QI: [1] 1923 May, The Arts: An Illustrated Monthly Magazine Covering All Phases of Ancient and Modern Art, Book 3, Number 5, Picasso Speaks: A Argument by the Artist (Notation accompanying text: Picasso gave … Continue reading

We all know that fine art is non truth. Fine art is a lie that makes united states realize truth, at least the truth that is given us to understand. The artist must know the manner whereby to convince others of the truthfulness of his lies. If he only shows in his piece of work that he has searched, and re-searched, for the style to put over his lies, he would never accomplish any thing.

Below are additional selected citations in chronological guild.

The well-known French artist Jean Cocteau crafted a distinct but related remark within the poem "Le Paquet Rouge" ("The Cherry Packet"). An excerpt from the verse form containing the line appeared in the Paris newspaper "Comœdia" in 1927: [ii] Date: Novembre 1, 1927, Newspaper: Comœdia, Article: Jeune Poésie: II. 50'autre royaume: En marge de Jean Cocteau, Max Jacob, André Salmon, Author: Eugene Marsan, Quote Page ii, Cavalcade half-dozen, … Go on reading

. . . je suis un mensonge qui dit toujours la vérité.

This may exist rendered into English as:

. . . I am a lie that e'er tells the truth.

Picasso'south 1923 argument was reprinted in the 1946 book "Picasso: Fifty Years of His Fine art" published by The Museum of Modern Art in New York. [3] 1946 Copyright, Picasso: Fifty Years of His Art by Alfred H. Barr Jr., Chapter: Statement by Picasso: 1923, Quote Page 270, Column 1, The Museum of Mod Art, New York. (Verified with scans)

In 1957 popular syndicated columnist Leonard Lyons presented a close variant attributed to Picasso: [four] 1957 July xxx, Daily Defender, Lyons Den by Leonard Lyons, Quote Page v, Cavalcade 1, Chicago, Illinois. (ProQuest)

Harold Clurman, the director-founder of the Group Theater, has collected his drama criticisms spanning a decade, and Macmillan volition publish them as a book, "The Lie That Tells the Truth." The title is from Picasso, who said: "Art is a prevarication that makes us run into the truth."

In 1960 an essay by Henry A. Murray in the collection "Myth and Mythmaking" applied this paradox to fables instead of art: [5] 1960, Myth and Mythmaking, Edited by Henry A. Murray, Chapter 17: The Possible Nature of a "Mythology" to Come past Henry A. Murray, Quote Folio 346, George Braziller, New York. (Verified … Keep reading

Like a legend, it may be "a prevarication which tells the truth," or, like a parable, it may convey a particle of the wisdom of the ages or new wisdom.

In 1964 an interview with the novelist and humorist Peter De Vries appeared in the book "Counterpoint". De Vries ascribed another close variant to Picasso: [6] 1964, Counterpoint by Roy Newquist, Interview with Peter De Vries (Interviewed in Westport, Connecticut, March, 1964), Offset Page 145, Quote Folio 151, Rand McNally & Company, Chicago, Illinois. … Continue reading

Certain the artist has an obligation toward the material from which his stories are created, but the obligation isn't a literal one. He may take to exaggerate an environment he'south delineating in order to portray information technology effectively—select, omit, even misconstrue. Didn't Picasso define art equally "a lie that tells the truth?"

In 1966 two books near Picasso were reviewed in "The Evening Lord's day" of Baltimore, Maryland. Picasso received credit for some other variant: [7] 1966 Feb 10, The Evening Lord's day, Books In Review: This Century's 'Virtually Remarkable' Artist (Volume Review of Pierre Daix's "Picasso") by Bennard B. Perlman (Caput of … Proceed reading

From the first, the old saw that "Art is Truth" was repudiated past Picasso, who advanced a completely new idea: "Now we know that art is non truth; art is a lie which allows us to approach the truth—at to the lowest degree in and then far equally truth is discernible to u.s.."

In 1969 "A Treasury of Humorous Quotations" assembled by Herbert Five. Prochnow included an instance in the domain of poetry: [8] 1969, A Treasury of Humorous Quotations for Speakers, Writers, and Home Reference by Herbert 5. Prochnow and Herbert Five. Prochnow Jr., Topic: Poet, Quote Folio 261, Published by Harper & Row, New … Continue reading

The poet is a liar who always speaks the truth. Jean Cocteau

In 1979 "The New York Times" published a ballet review by Jack Anderson that referenced the adage and then twisted it: [9] 1979 May 11, New York Times, Ballet: Robbins's 'Noces' by Jack Anderson, Quote Page C20, Column 5, New York. (ProQuest)

Art has ofttimes been chosen a prevarication that tells the truth. "The Leaves Are Fading" is a lie that is content to exist a lie — a pretty lie, simply a lie, nevertheless.

In 1983 the U.South. painter Robert Motherwell referred to a version of Picasso's remark while discussing the writer Franz Kafka: [10] 1999 (Copyright 1992), The Collected Writings of Robert Motherwell by Robert Motherwell, Edited by Stephanie Terenzio, Section 'Kafka's Visual Recoil: A Notation', Date: nineteen March 1983, … Keep reading

He had no formulation of art in Picasso's sense that "art is a lie that makes u.s.a. see the truth." Kafka lived his truth. He dared non share the living of it.

In 1984 "Camp: The Lie That Tells the Truth" by Philip Core applied the paradox to the aesthetic sensibility military camp. The ellipsis beneath appeared in the original text: [11] 1984, Army camp: The Lie That Tells the Truth by Philip Core, Chapter: Introduction, Quote Page nine, Cavalcade 1, Delilah Books, Distributed by The Putnam Publishing Grouping, New York. (Verified with scans)

A working definition is essential before we can pinpoint camp retrospectively and contemporarily. Camouflage, bravura, moral anarchy, the hysteria of despair, a celebration of frustration, skittishness, revenge . . . the possible descriptions are countless. I would opt for 1 basic prerequisite all the same: camp is a prevarication that tells the truth.

In 1990 "Sunbeams: A Book of Quotations" included a compact instance of the expression: [12] 1990, Sunbeams: A Book of Quotations, Edited by Sy Safransky, Quote Page 93, Column ane, North Atlantic Books, Berkeley, California. (Verified with scans)

Art is the prevarication that reveals truth.
—Pablo Picasso

In 1992 the "Star Tribune" of Minneapolis, Minnesota credited an example using the word "drama" to a screenwriter: [13] 1992 March 30, Star Tribune, Star Aiello is excellent, but `Cherry' is no gem by Jeff Strickler (Staff Author), Quote Folio 03E, Minneapolis, Minnesota. (ProQuest)

Produced, fittingly enough, by Propaganda Films, the moving-picture show doesn't claim to be factual. Information technology comes with a disclaimer by screenwriter Stephen Davis: "Drama is the prevarication that tells united states of america the truth."

In 1994 the novelist Dorothy Allison practical the paradox to literature while writing in "The New York Times": [xiv] 1994 June 26, New York Times, Section: New York Times Volume Review, The Exile's Return: How a Lesbian Novelist Establish Her Style Into the Mainstream by Dorothy Allison (Writer of the novels … Continue reading

Literature is the lie that tells the truth, that shows us human beings in pain and makes usa honey them and does so in a spirit of honest revelation.

Albert Camus died in 1960. He received credit for an instance of the saying using the word "fiction" in 1995 in the pages of the "Los Angeles Times": [15] 1995 August 20, Los Angeles Times, Section: Book Review, Truthful Lies past Zena Collier, Quote Page xiv, Column ane, Los Angeles, California. (ProQuest)

Detectives, reporters and historians deal assiduously with the facts, or so we hope. But equally Albert Camus put it: "Fiction is the lie through which nosotros tell the truth." It's a crafty play a trick on, this business of writing fiction, this conjuring up of lies that read like truth.

In 2001 U.k. columnist by Julie Burchill mentioned some other example using the word "fiction": [xvi] 2001 Feb 10, The Guardian, Section: The Guardian Weekend, "What Popstars demonstrates is that success in showbusiness has very little to do with having 'It', and much to do … Continue reading

It is the large lie of the creative industries that "fiction is a lie which tells the states the truth nearly life".

But information technology doesn't; information technology simply tells us how a sex-obsessed erstwhile bigot felt in the 50s (Accept A Daughter Like Y'all) or how a sour onetime spinster felt in the 18th century (Pride And Prejudice).

In conclusion, Pablo Picasso should receive credit for the statements printed in "The Arts" in 1923. His original remarks were delivered in Spanish, but the journal only printed English renditions. Many variant statements have evolved over time. Jean Cocteau crafted a distinct only like comment published in 1927. The paradoxical adage has been applied to the domains of fables, camp, literature, and more than. Albert Camus received credit for a version well-nigh fiction in 1995, merely that was too tardily to provide substantive bear witness.

Paradigm Notes: Illustration of an intersection sign displaying the words Lie and Truth from geralt at Pixabay.

(Great cheers to Jonathan Taylor, Robert Richardson, Farhana Shaikh, Diego Basdeo, Maria Alexander, and Shaula Evans who all referred to versions of this maxim inside twitter threads.)

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Source: https://quoteinvestigator.com/2019/10/29/lie-truth/

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